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Btw.: I also consider to add a (horizontal) keyboard split option. Only 8 velocity values will be available per instrument, but they can be played in parallel, resp. it won’t be required to switch between the tracks.
And the mode selection buttons will be changed to the lowest “extra column” keys, so that the most important modes can be switched with a single hand.
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yes. And switching between the patterns can either be done immediately (the way I prefer), or synchronized to the measure.
It gives you exactly the same functions like the MBSEQ V4 Pattern page, just more direct access.
Btw.: muting is possible with the extra column by clicking a button twice (first click selects a track, second click mutes a track)
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It’s your own choice if you prefer a traditional connection via MIDI compatible cables (with optocouplers) or a direct, digital connection.
Using optocouplers decouples the BLM circuit and allows long distances. Digital I/O over long cables could be unstable in a noisy environment.
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One of the 5 UARTs is available at the JTAG port J3 that you don’t use yet.
This additional MIDI port will be enabled in one of the next MBSEQ releases.
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Best Regards, Thorsten.
Hi Thorsten,
Fantastic :w00t: ! These are next best news since I found midibox in January.
You are going to keep me busy for another 5-6 month :laugh:
This new matrix seems another must have!
Best regards
Gunars
PS
I played with my not yet completely finished sequencer this weekend a
few hours. And found one more thing I want to ask. It looks like split
for arpeggio/transpose modes is done only globally in Midi transpose
and arp page. Actually since I played from 49 key RemoteSL live I felt
this bit limiting. I thought that it probably would be nice to
consider this split option for each track separately so that you
can set split for each track this way:
LOWER ZONE | SPLIT KEY | UPPER ZONE
{silent;play-through;arpeggio/transpose} | Key # | {silent;play-through;arpeggio/transpose}
On the Korg M3 it is also possible to adjust the velocity slope for the
split zones so that zone doesn’t stop hard at split point, but fades out gradually
over some notes/octaves. What others think about this, do you find this could
be useful? I understand that this needs quite a lot of programming and is
certainly not to do priority.
I tried to move this discussion to more <___base_url___>/index.php?/topic/13137-midibox-seq-v4-beta-release-feedback/page__view__findpost__p__127536&do=embed … thanks for your patience 
Anyway, yet another beer to TK! 