The modules are… microLARGE’s 808 clone – Snare drum and Bass drum. The Snare drum is built with a noise source input jack, so that i can patch in different/tunable noise sources (although I plan to have the standard 808 noise source on a different module as well.) Then the 909 kick PCB based on the 9090 project, found here:
http://www.analog-synth.de/synths/tr909/tr909.htm
The UD-1 and Clangora are Thomas Henry designs. UD-1 PCBs are available at the Thomas Henry forum over at electro-music. Clangora was in the Nov 2003 issues of Nuts & Volts – but you can find the article over on that forum as well.
The modular cabinet was built using the DIY designs at www.synthesizers.com – but I used poplar hardwood instead of shelving material.
The MB SEQ is tweaked out w/all banksticks, all 4 IIC boards, all the extra LED/Button options (except for Matrix display), and full AOUT & drumpulse outs (8x quarter inch jacks for CVs, 8x quarter inch jacks for Gates, and two 25-pin serial ports to cover the rest of the pulse outputs, although I won’t be wiring the second one up until its needed.) There’s an internal +/-12v 2A power supply, and this will feed the AOUT board and the core board. This has a standard IEC jack for connection via standard computer cable. (The +12vdc line going into the core board shouldn’t overload the 5v regulator, right? It’s got a heat sink.)
I have lots more modules planned…
I’ve only found one tutorial for screenprinting panels, but can’t find it at the moment. At any rate, my methods are different – and I’m using pro supplies instead of Hobby Lobby stuff. (Expect to spend close to $200 to get setup with ink, emulsion, screens, and everything else.) I’d definitely reccomend it though – but if you want a quick, easy solution and all you’d be using it for is a couple panels, probably not worth it. I needed to get a screenprinting rig set up anyway, for band merch, tshirts, posters, and so on. Since nobody buys CDs anymore, we’re probably going all vinyl & digital with our releases, so we want to hand screenprint all the vinyl sleeves.
I’d be glad to post a full tutorial myself, and will if there seems to be enough interest, but I don’t feel 100% qualified to do it yet. :) I’m still a beginner. It really is a pain in the ass, but I love the organic/imperfect look of the prints, since they are coming from basic shape/bright color designs I made in Photoshop. Yes, I’m very inspired by 70’s gear designs, oldschool sci-fi, and simplified postmodern art in general. 70’s synth logos and such work their way into all of my other design, too… so it’s weird actually designing for a synth. I have to admit, a lot of the reason I dove into DIY is because I’m so anal about aesthetics, and hated the way most of my gear looked on stage.
For now, there are TONS of great screenprinting tutorials out there… everybody does it different so plan to do several tests, read several guides, before getting a good print. For printing on the panels, I reccomend using Plastisol ink, I use a brand called Triangle Inks… it needs a bonding agent that’s mixed in with it to bond to hard surfaces (instead of t-shirts.) It’s very thick and goopy and messy, so prepare your work area appropriately… You need mineral spirits to clean it off of anything, too.
A quick breakdown of my panel-making process was this…
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Design drilling template & silkscreen, get transparencies made
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Drill the aluminum panel with step-drill after center-punching (this will be more perfect once I get a drill press)
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Deburr, sand down, polish really well, wash off really well…
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Duplikote automobile primer, 1 coat – let dry an hour, wipe off any dust…
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Duplikote automobile flat black, 2-3 coats 15 minutes apart… let dry a few hours… this goes on really really smooth compared to Rust-O-Leum I’ve noticed.
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Coat new screen with emulsion (I use a basic Diazo textile emulsion) and let dry an hour or two
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Place panel design on screen, cover with a sheet of glass to hold it flush.
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Expose to 500W worklight bulb for 10 minutes, bulb suspended 12-16" above screen.
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Rinse out the design under hot water, use fingers to make sure every part of the design is cleared… let dry.
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Cover parts of the design you don’t want to print w/packaging tape (I did this to get the two-color prints out of one screen)
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place panel on a flat surface, place screen on top… have buddy hold screen down very firmly on top of panel…
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place a line of ink mixed w/bonding agent (you want to mix it right before you use it) along the top of the design… use squeegee to pull the ink down over to cover all of the design your printing – don’t push down.
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Very firmly push down to print the panel, top to bottom, slowly and with lots of pressure, holding squeegee @ 45 degree angle towards you.
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Remove screen. I read once about a guy suspending the screen 1/8" above the panel… this isn’t necessary unless you’re using that cheap hobby lobby ink. If you do it with Plastisol ink, you’ll get a messier print. If the panel is small, your screen might stick to it… so using doublesided tape to stick the panel to the table/printing area, etc. beforehand is a good idea.
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Immediately stick panel in an oven @ 200-300ish for 15 minutes or until ink is cured. It won’t air-dry, so this is important. The ink will smear even a couple days after printing, unless it is cured. And smeared ink ruins the whole point of a really clean-lined, bi-color screenprint.
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Clean your screen VERY thoroughly with mineral spirits and hot water, let it dry… if you let ink dry in the screen you’ve ruined your screen.
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Do second print, of any other color, repeat curing process…
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Apply thin coat of satin polyurethane (I used a foam brush and the kind in a can) to panel… stick it in the oven a little longer… repeat doing this in thin layers until you have 3-4, then let it sit for a few hours before going back and polishing/buffing the panel. And you’re done.
Thanks for all the nice words, I’ve been itching to show it to you guys. 