I don’t want to misuse the V2 thread for introducing new V1 release candidates anymore, therefore this new topic.
Razmo requested two changes in the arpeggiator handling to improve the usability. I found both very useful, and have build this into the application as default option (the old handling has been replaced by the new one!).
Here the description in Jess’ words (he can explain this better than me :):
I only have ONE thing that I’d REALLY like to see done on V1, and that is a
change to the arpeggiator. I do not like the way it works at the moment. I
think it should alternate between just the keys pressed, and that every note
should have equal amount of time to sound… As it is now, if you press only
two keys, the time is split up into four equal time-parts meaning that one
of the pressed keys will get thre shares while the other only get one… The
notes pressed should simply alternate up to a maximum of four notes with the
rate given for the arpeggiator. You can play some really cool stuff live
with this approach (which is in fact a standard arpeggiator as found on all
synths).
An extra alternative way of doing it (I did this on my synth) is if the
arpeggiator rate is instead divided among the notes pressed… it’s
complicated to explain, but if you for example have:
An arpeggiator rate of say 100ms, then if you press one key, you will get
just that note playing.. nothing special there…
If you press TWO keys, then these two notes should play in alternating
fashion, alternating every 50ms (100ms/2notes).
if three keys are pressed, every note recieves 33ms each (100ms/3notes)
and finally; four keys pressed each recieve 25ms each (100ms/4notes)
Using this technique make certain that the “broken cord” will sound very
different… and in fact BETTER! … It will also be a technique that I only
know ONE other machine has… the Droid synth. this gives great live
performance playing advantages…
The same from the ChangeLog:
o the arpeggiator has been overworked, now the arp cycle has always
a constant time. If one key is pressed, it is stepped with normal
rate, with two keys at double rate, three keys triple rate,
four keys quadrupled rate.
This approach improves the live handling and yields more musical results
If the arpeggiator is synched to MIDI clock, use following
rate settings:
- 64th note: 124
- 32th note: 118
- 16th note: 106
- 8th note: 82
- 4th note: 34
Link to application: http://www.ucapps.de/mios/midibox_sid_v1_7303b_rc6.zip
Best Regards, Thorsten.