Like everytime when I start to improve the MIDIbox64 SEQ firmware, also this time I was distracted by a nice sequence that I found during the tests of a new function. But only a special gimmick makes this sequence so vital as it can be heart in the mp3 example - my thought: hey, this could be interesting for the community, a starting point for exchanging tips & tricks in sound enhancements.
The demo (SID Demo 10, mixed for headphones ;-))
http://www.midibox.org/midibox_sid/mbsid_demo10.mp3
So, my intention was to use three filtered audio delays in this setup: MB64SEQ+Keyboard —[MIDI]–> SID —[audio]–> Logic —[VST]–> Compressor —[VST]–> 3 filtered Delays –> Audio Out
The filtered delays are VST effects, realized with Reaktor like shown here:
(but I think that also common VST delays and VST filters could be used)
Three different filters are selected: lowpass, highpass and bandpass. The cutoff frequency is modulated by a LFO (!) for an automatic varied timbre. Also the panning is modulated. The delay time depends on the BPM, factor: 1.5 for BP, 1 for HP, 2 for LP.
The results:
- from 0:00 to 0:16 - just a phased bass as entry
- from 0:16 to 2:00 - a single SID + the delay effect is played, more and more notes fill the sequence
- from 2:00 to 2:17 - two SIDs (brass preset) with a VST chorus effect + dynamic filter, controlled by MB64SEQ
- from 2:17 to 2:50 - plus a second track which controls a single SID (+ the delay effect)
- from 2:50 to the end - the ultimate sequence w/ three SIDs (slightly detuned and tranposed) +
the filtered delay effect, played by MB64SEQ + RM1x + Logic
(drums are played by a RM1x groovebox, synced to MB64SEQ, strings played with an AN1x, bass with Reaktor SalEM1 VSTi, everything recorded and arranged with Logic)
Ok, how about your favourite effects? 
Best Regards, Thorsten.
P.S.: thanks to György Birki, the creator of the Reaktor based filter delay macro, which comes with the standard library - it’s really a fine toy when you combine multiple instances
I wanna listen!!