Thanks for the tips Sasha,
I’m not sure I’m still going with the angles, as I found a compromise I like which gets more of a smooth “vintage” shape. It’s sort of a fader version of a chickenhead (pointer) knob:
<– The “knobs” are still being decided on.
You’re right about the right hand fingers and the angles. That was how I got to that angled thing. 
I was trying to find a cap style that lends itself to more of a “pinch” type of use for fine changes on smaller controls, rather than how you work with long throw faders, where you can slide them up and down with a fingertip. When you pinch a control between your thumb and pointer finger, as you mentioned, they fit into that angle. I made a few clay angled caps with rounded edges and stuff, but didn’t like the way they looked with the rest of the 90 degree layout and parts. The Saturn looking thing was the result of some symmetrical angled versions of the previous thing. They started looking more like a diamond shape, where you could pinch them with either hand. I guess these have that ring part too, which could be slid like a regular fader cap with the fingertip.
The controller is a front end for a mastering EQ plug by Universal Audio (the Precision EQ). It’s a simplified parametric with some stepped controls. The bandwidth steps are only six per band, which is why I went with up/down buttons instead of a knob. The index markings on the frequency controls don’t represent the number of steps on those though (there are a bunch).
If I can get through the knob making and construction, that’s only the “easy” part. As Thorsten recommended to me, I’ll be tossing my usual MB64 app and starting from an actual skeleton for this. Right now, I’m struggling with just the table scans to map incoming MIDI stuff to components and vice-versa. My assembler capabilities suck. 
In addition to the stepped controls with buttons, the “set” mode will either flash the set light or just light it up and do the same thing to any of the knobs/faders which don’t match their corresponding “received” values. While in that mode, it won’t output any changes made. After each of them gets readjusted to match up with those values, the corresponding light (seen below the faders & knobs) will go out (or light up??) to indicate that they’re in sync with the plug’s state. The A/B mode thing is actually just a parameter within the plug (the EQ can store two banks of settings and flip between them).
Take Care,
George
PS- That thing’s a lot smaller than the picture makes it seem. The faders only travel about an inch and a half. The whole thing is about the size of a VHS video tape.
Also-- The panel will hopefully be etched aluminum, which might make the weird hole cuts easier (I’ll be able to see exactly what area needs to be cleared away). From stuff I’ve tried, it’s soft enough to be cut easily with small files, so I’m figuring if I put drill point marks in three corners of the triangles for a large diameter drill bit, then drill them out, I can hit the connecting lines with a file.