I’m just wondering if I can kill two birds with one stone here.
My LinnDrum uses 48ppq sync, which is a slight pain.. I’ve tried a few things to sync it up, but I’ve never been 100% happy with the result (SBX-10 etc)
How hard is it for the SEQ3 to send out a 48ppq or even 96ppq clock signal while slaved off midi (24ppq)
I’d also want a start/stop signal to go to the Linn so that I don’t have to press Stop/Start before I press play on the master sequencer..
Or is this best tackled by a stand alone sort of Core module project?
I’ll dig out a few other bit’s of DIN Sync equipment and try them. (TR-606, TB-303, MC-202, TR-808)
It’s just my TR-707 was out, and I figured that as the TR-707 was made by Roland, it would be indicative of all Roland DIN Sync equipment.. I’ll try and find the specs of the TR-707’s DIN sync.
A while ago, I did use the J5 gate outs to trigger my LinnDrum. I did this but putting in 16th triggers, And setting them all to roll (I can’t remember what setting exactly)
I then played with the clock divider until I got my 48ppq.
This also worked fine for a while, Until I did anything serious on the MB-SEQ such as real time record, erase, randomise, scroll etc.. then it lost a fair bit of Sync.. Almost as if a few clock ‘ticks’ got forgotten about.. (Pretty much exactly the same issue happening when I use the DIN sync out of my MB-SEQ)
I’ll make up a Jack-DIN cable, and test the TR-707 using the J5 Gate outs to verify if a longer pulse length helps with the TR-707.
Another thing I could try is to “record” the DIN Sync out of the MB-SEQ as audio, and then play with the MB-SEQ and see if it was dropping any clock ‘ticks’ ? (Or look at the signal on a scope, but this way we can exchange the info)